Two Americans sharing a flat in Paris, playwright Tom Chambers and painter George Curtis, fall for free-spirited Gilda Farrell. When she can’t make up her mind which one of them she prefers, she proposes a “gentleman’s agreement”: She will move in with them as a friend and critic of their work, but they will never have sex. But when Tom goes to London to supervise a production of one of his plays, leaving Gilda alone with George, how long will their gentleman’s agreement last?

What is home? And how do we find it? TINY follows one couple’s attempt to build a Tiny House from scratch with no building experience, and profiles other families who have downsized their lives into houses smaller than the average parking space. Through homes stripped down to their essentials, the film raises questions about sustainability, good design, and the changing American Dream.

Scott Keyes is a brilliant but misanthropic computer hacker who generally prefers porn to living women and computers to human beings. But Keyes’ life is about to be turned upside-down. Thanks to some code-breaking by his partners Hunter and Gazelle, Keyes is finally able to unlock AIMEE, an incredibly advanced Artificial Intelligence program that appears in the form of a beautiful and seductive woman. But what a smitten Keyes doesn’t realize, and what Gazelle soon discovers, is that AIMEE is an advanced infiltration program and has been designed to learn from whoever downloads her, become whatever he most desires, and in the process, to take over, control, dominate, replicate, spread – and ultimately destroy anyone who opposes her.

Young, bestselling author Eryn Bellow concludes her bookstore tour with her agent selling film rights and closing a six figure advance for her follow-up. Headwinds arise as critics get offended by the claims that Eryn is being declared a living literary legend. The storm gathers force as the assaults gravitate from bad reviews to a fake-memoir designed to obliterate her from the field. Through the noise, Eryn attempts to write her way out of the public fray, and reclaim her voice in the minds of her readers. Along the way, she hopes to prove a happy ending is not always a bad thing.

Yale University, 1961. Stanley Milgram designs a psychology experiment that still resonates to this day, in which people think they’re delivering painful electric shocks to an affable stranger strapped into a chair in another room. Despite his pleads for mercy, the majority of subjects don’t stop the experiment, administering what they think is a near-fatal electric shock, simply because they’ve been told to do so. With Nazi Adolf Eichmann’s trial airing in living rooms across America, Milgram strikes a nerve in popular culture and the scientific community with his exploration into people’s tendency to comply with authority. Celebrated in some circles, he is also accused of being a deceptive, manipulative monster, but his wife Sasha stands by him through it all.

Michael Wolffsen (Tyler Mane) receives an urgent phone call and takes his nephew and fiancee and makes the journey home to his only other living relative: his estranged, eccentric (and extremely paranoid) father, Gary (Muse Watson), who is obsessed with building an unassailable compound. Once they arrive at Gary’s modest home, surrounded by acres and acres of grounds full of cameras and other security sensors, Michael is surprised and concerned to learn that his father is in the early stages of dementia. The house is now also covered in supernatural and occult symbols. Welcome to the compound, COMPOUND FRACTURE. Will the stronghold that was designed to save them be their everlasting tomb?

Clew is the story of Jack Hadrian, a painter living in the mid-21st century who contracts for the purchase of a Muse, a genetically engineered lifeform designed to be his perfect mate, after his fiancée disappears mysteriously.

Auschwitz-Birkenau was designed to kill. Four gas chambers murdered thousands at a time, belching out smoke and human ashes. Starvation, thirst, disease, and hard labor reduced the average lifespan to less than three months. More than 1-million people perished in the largest German Nazi concentration and extermination camp. Seventy years after her liberation, Kitty Hart-Moxon makes a final return to Auschwitz-Birkenau to walk among the crumbling memorial with students Natalia and Lydia, who, at 16, are the same age now as she was then. As Kitty tells them her story of daily existence, themes begin to emerge: the ever-present threat of death, resilience, friendship, human strength, resisting the Nazis’ constant lethal intent, and living like an animal while still remaining human. Natalia and Lydia ask questions; Kitty provides answers, passing her legacy to the next generation.

Marital fidelity can wear you down, and Ondra and Vitek are certainly suffering from a case of serious fatigue. Working side by side and living next door to each other, it doesn’t take long before these two long-married middle-aged pals start comparing sex notes, and it’s plain to see their latest scores have fallen far below what they would have hoped. Luckily, a surprise holiday on a tropical island rekindles their interest in their wives – only they don’t exacly lust after their designated partners. With no one to divert their attention, their roaming eyes inevitably settle on the wrong spouse, and pretty soon they’ve established their own little Holy Quaternity.

At the height of the Cold War, Gilligan’s Island depicted seven Americans living in an analogue of a post-apocalyptic world where the survivors have to rebuild civilization. Remarkably, the society they create is pure communist. Interviews with the show’s creator and some of the surviving actors, as well from professors from Harvard, reveal that Gilligan’s Island was deliberately designed to be dismissed as low brow comedy in order to celebrate Marxism and lampoon Western democratic constructs.